May Events
04.14.2008
Artists' Bios:
Meggan De Anza learned how to make santos by
viewing images in museums and then attempting to make them herself. As
an influential art teacher, she's taught about santos at the Denver Art
Museum, the Museo de las Americas, the Public Education Coalition,
Artes del Pueblo, the Chicano Humanities and Arts Council, the Chile
Harvest Festival, and the Aurora Historical Society. DeAnza is one of
194 artists profiled in the book titled “Contemporary Chicana and
Chicano Art-Artists, Works, Culture, and Education Volumes 1&2.”
Renee Fajardo
is a freelance writer who has lived in Colorado her whole life. She
travels throughout the South West collecting the folklore and stories
of every day hero’s She and her seven children perform storytelling and
dance workshops in a professional troupe. She was awarded a Rocky
Mountain Women's Institute Fellowship Award for her project Return of
the Corn Mothers. She also has co-authored four children’s books with
Carl Ruby. She believes that writing is the way to open the heart and
free the spirit.
Li Hardison a native of Harlem is a figurative
sculptor. She has created a body of work that includes both public and
private commissions. Li has expressed the complexity and passion of the
human spirit thru her art. She has honored the dignity and strength of
women and African American women in particular. She is currently
creating an ongoing series of sculptures that honor the achievements of
black women artists in all genres of artistic endeavor. The depiction
of these women as they manifest their hopes and dreams is an effort to
speak to young artists. It is a means by which to emphasize the
critical role the creation of art plays in contributing to the
emotional, psychological, and spiritual wholeness of human beings.
Holly Wasigner is a local visual artist who has
been drawing and painting for over 20 years. Her work has always been
strongly influenced by female archetype iconography and she welcomes
the chance to celebrate both indigenous women and motherhood. She
dedicates he work to the matriarchs that planted the seeds of who we
are, as well as the mothers of today. She was instrumental in the Art
Street Project of the late 90’s and is currently completing a master
degree program in art therapy.
Santiago Jaramillo
is a Colorado Native. He has a diverse range of artistic expressions,
such as abstract, modern, cultural, and mixed media. He draws heavily
on his cultural roots to inspire his paintings and carvings. Santiago
is also known for his traditional drum and instrument making. He
teaches workshops to inner city youth and disadvantage populations. He
is the founder of the Aztec/Mexica dance, song and storytelling group
named Chimatonalli that travels through out the state of Colorado.
Robert Lopez Dussart
was a master portrait artist born in 1932 he captured the heart and
soul of the wild west with his paintings and sketches. Known as one of
the earliest Chicano artist to show commercially the decorated Korean
War Veteran is lovingly remembered for his dedication to his cultural
roots, family and community. He passed away on Feb 2nd 2008 while
working on pieces for this show. He leaves behind some of his most
stunning and pragmatic works about the life and destiny of a Colorado.
His vision of this land and country is from a perspective that few have
had the honor to witness.
Arlette Lucero
earned a bachelor's degree in fine arts from the Colorado State
University in Fort Collins and completed two years of graphic arts
through the Community College of Denver. She has taught art education
for over eight years in Colorado and is an active volunteer and current
member at the Chicano Humanities and Arts Council of Denver. Lucero
also has over 20 years of experience in graphic arts, painting,
illustration, sculpture, and photography, and has been involved with a
number of local nonprofits such as ArtsStreet, Art Reach, Colorado
Cultural Connections, Museo de las Americas, Mizel Center for Arts and
Culture, Kidzart and various other neighborhood organizations.
Mike Penny
is a Denver Colorado native. His art reflects the customs, beliefs, and
artistry of ancient civilizations. Combining the natural beauty of
stone and the expressive texture of deep relief sand carving give his
work the timeless beauty found in artifacts and one of a kind art
tiles. Light is used to expose the tactile and visual texture of the
stone and carve them into sparkling accents of light and shadows.
Todd Pierson
was raised in Alaska where he received a hand-me-down Kodak instamatic
at age 7. From those early photographs to the present, he has remained
impassioned and enthralled with photography. Todd has been published in
numerous Colorado newspapers and national magazines and freelances for
EFE, the largest Spanish-language news agency in the world. His
photographs have run in publications as far away as Uruguay. Todd
balances his photojournalism and editorial work with commercial
photography in Denver, Colorado.
Carl Ruby
is a first generation American of German parents. He was born in
Syracuse, New York, and moved to a farm of one hundred acres in central
New York where he grew up. Carl is a two-tour Vietnam Navy veteran
serving with Reconnaissance Attack Squadron Seven. After his military
service he obtained a Bachelors of Science Degree in Elementary
Education from Western New Mexico University at Silver City, New
Mexico, and a Masters of Arts Degree in Educational Media from the
University of Northern Colorado at Greeley, Colorado. Carl is a retired
educator with thirty years of service mostly in the Jefferson County R1
School District in Colorado and co-author of four children’s books ,
the Holy Mole Guacamole Tummy Tale Series.
Evelyn Valdez Martinez both of Evelyn’s
grandmothers were healers in their small communities of San Luis, and
San Acacio. They visited ailing neighbors with their healing herbs; and
prepared medical teas, linaments and poltices. Evelyn saw the love and
compassion that these strong women in her life demonstrated. She feels
that these examples taught her to be sensitive to other peoples pain,
both physical and emotional. It infused in her, a deep sense, that all
humanity is linked as one. . This human connection is an important part
of her work with, and the paintings she is producing from her visits
with the Tarahumara Indians of the Barrancas de Cobre in Chihuahua,
Mexico. Southwest Art and American Artist magazines selected one of her
paintings to represented New Mexico’s Wilderness, in a fund raising
project. This project helped pass a bill through congress, making over
a thousand acres in central New Mexico, designated "Wilderness". This
wilderness will be protected in it’s natural state, forever.
Suzanna Vega
has been involved with CHAC for over 20 years. She has served in a
multitude of areas including: administrative assistant to 5 executive
directors, assistant to DOA Art Project Coordinator, created &
coordinated CHAC's Tertulia, and served as secretary to the board of
directors. Suzan came to her passion upon discovering CHAC which she
found to be an oasis amidst a cultural wasteland for Chicano/Latino
artistic expression. She writes poetry among other veins such as short
stories and plays. Her work encompasses her feelings on oppression
highlighting wonders of humanity and mother earth among many other
thoughts.
Rita Wallace is the states
a leading expert on Mexican Art, culture and indígenous traditions. She
is passionate about transmitting her vast knowledge from one generation
to another and helping Mexican Immigrant families maintain the strength
of their culture as they embrace the American way of life. Rita does
outstanding work in bridging cultures in schools and communities
through artistic educational presentations and workshops. She is the
quintessential Corn Mother of this show in that she is not only the
elder but also has received numerous awards from the Colorado Council
on the Arts recognizing her as a master folk artist and arts educator.
Rita passes on the traditional arts of embroidery, flower making,
weaving, and other hand crafts that are being long forgotten in a throw
away culture.